e-Veritas Archive | April, 2011

Dialogues in Research Ethics: Brain Death and Its Challenges

Apr
29
12:00 pm

Dialogues in Research Ethics, a series of monthly conferences, presents Calixto Machado, senior professor and researcher at Havana’s Institute of Neurology and Neurosurgery, on Friday, April 29, at 12 p.m. in the Rosenstiel Medical Sciences Building, third-floor auditorium. Machado, president of the Cuban Society of Clinical Neurophysiology and of the National Commission for the Determination of Death, will discuss “Brain Death and Its Challenges.” Please bring a lunch. No RSVP required. For more information, contact UM Ethics Programs at 305-243-5723 or email [email protected].

The concept of death evolved as technology forced medicine and society to expand ancient cardiorespiratory definitions of death to include neurocentric diagnoses. Scientific advances of the last century produced mechanical ventilation and cardiopulmonary resuscitation, which gave rise to a condition previously impossible to imagine—a state in which the brain is massively damaged and nonfunctional while other organs continued to function. Is a patient in such a state alive or dead? Brain death was gradually accepted as death of the individual. It is commonly believed that the concept of brain death evolved to benefit organ transplantation, but both brain death and transplantation have separate origins. Organ transplantation became possible with technical advances in surgery and immunosuppressive treatment. The concept of brain death emerged with the introduction of intensive care units. Research on brain death, persistent vegetative states and, more recently, the minimally conscious state, continues to refine these concepts—and inform ethical debate.

 

 

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Cosford Screening: ‘On the Bowery’

Apr
29
7:00 pm
Apr
30
1:15 pm
May
1
3:45 pm

On the Bowery chronicles three days on New York’s skid row, the Bowery. In the early part of the 19th century, it was an elegant place of large mansions and respectable theater. When the elevated trains came in, it covered the street in darkness and the Bowery soon became known as the place for low rents and cheap drinks. Ray Salyer, still good-looking and well spoken, his face not yet ravaged by alcohol, is a railroad worker who drifts onto the Bowery after a long bout of laying tracks. He is taken in hand by old-timer Gorman Hendricks, a puckishly charming bull slinger. Lionel Rogosin’s brilliant film depicts Ray’s descent as the dark side of the American dream. As part of this program, the 2009 documentary, The Perfect Team, about the making of the film On the Bowery, also will be screened. The screenings will be this Friday, April 29, at 7 p.m.; Saturday, April 30, at 1:15 and 5:45 p.m.; and Sunday, May 1, at 3:45 p.m. Admission is $7 for seniors, University of Miami alumni, faculty, non-UM students, and staff. General admission is $9. Free for UM students. To purchase tickets online, or for more information, visit www.cosfordcinema.com or call 305-284-4861.

 

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Cosford Screening: ’127 Hours’

Apr
30
10:00 pm
May
1
8:00 pm

127 Hours is the true story of mountain climber Aaron Ralson’s remarkable adventure to save himself after a fallen boulder crashes on his arm, trapping him in an isolated canyon in Utah. The film will screen this Saturday, April 30, at 10 p.m. and Sunday, May 1, at 8 p.m. All tickets for this screening are $5. Free for UM students. To purchase tickets online or for more information, visit www.cosfordcinema.com or call 305-284-4861.

 

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Architecture Students to Exhibit Projects from Furniture Design and Construction Studio

Apr
29
3:00 pm

Join students and Professor Gary Greenan from the School of Architecture for a special one-day exhibition of furniture built during the 2011 spring semester Furniture Design and Construction Studio. One of the students, Mike Galea, constructed a writing desk made of wood salvaged from the recently demolished UM apartment buildings along Dickinson Drive. The exhibition will be held Friday, April 29, from 3 to 5 p.m. at the School of Architecture, Gallery 48E.

 

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Cosford Screening: ‘Certified Copy’

Apr
29
9:15 pm
Apr
30
3:30 pm
May
1
1:30 pm

Juliette Binoche won the Best Actress prize in Cannes for her performance in this playful and provocative romantic drama from legendary auteur Abbas Kiarostami (Taste of Cherry, The Wind Will Carry Us), his first feature made outside of Iran. Binoche plays a gallery owner living in a Tuscan village who attends a lecture by a British author (opera star William Shimell) on authenticity and fakery in art. Afterward, she invites him on a tour of the countryside, during which he is mistaken for her husband. They keep up the pretense and continue on their afternoon out, discussing love, life and art, and increasingly behaving like a long-married couple. But are they play-acting on a whim or is there more to their seemingly new relationship than meets the eye? The film is in French, English, and Italian with English subtitles. It will screen this Friday, April 29, at 9:15 p.m.; Saturday, April 30, at 3:30 and 8 p.m.; and Sunday, May 1, at 1:30 and 6 p.m. Admission is $7 for seniors, University of Miami alumni, faculty, non-UM students, and staff. General admission is $9. Free for UM students. To purchase tickets online or for more information, visit www.cosfordcinema.com or call 305-284-4861.

 

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